Judith Wright

Judith Wright was a prolific Australian poet, critic, and short-story writer, who published more than 50 books. Wright was also an uncompromising environmentalist and social activist campaigning for Aboriginal land rights. She believed that the poet should be concerned with national and social problems. At the age of 85, just before her death, she attended in Canberra at a march for reconciliation with Aboriginal people.

Rhyme, my old cymbal,

I don't clash you as often,

or trust your old promises

music and unison.

I used to love Keats, Blake;

now I try haiku

for its honed brevities,

its inclusive silences.

(from 'Brevity' in Notes at Edge)

Judith Arundell Wright was born near Armidale, New South Wales, into an old and wealthy pastoral family. Wright was raised on her family's sheep station. After her mother died in 1927, she was educated under her grandmother's supervision. At the age of 14 she was sent to New England Girls' Scool, where she found consolation from poetry and decided to become a poet. In 1934 she entered at Sydney University. Wright studied philosophy, history, psychology and English, without taking a degree.

When Wright was in her 20s, she started to became progressively deaf. Between the years 1937 and 1938 Wright travelled in Britain and Europe. She then worked as a secretary-stenographer and clerk until 1944. From 1944 to 1948 she was a university statistician at the University of Queensland, St. Lucia. At the age of 30 Wright met her lifelong partner, the unorthodox philosopher J.P. McKinney, 23 years her senior; they later married.

Most of Wright's poetry was written in the mountains of southern Queensland. Protesting the political policies of Joh Bjelke-Petersen, Premier of Queensland, Wright left her home state in the mid-1970s, and settled to a remote property near the heritage town of Braidwood, south of Canberra, where she wrote many of her later nature poems.

During her career as a writer, Wright did not reject to produce hack work, school plays for Australian Broadcasting Comission and children's books, for her living. She lectured part-time at various Australian universities. In 1975 she collected her addresses and speeches in Because I was Invited. Wright was appointed a foundation fellow of the Australian Academy of the Humanites and an emeritus professorship of the Literature Board of the Arts Council of Australia. Wright's memoir, Half a Lifetime, covered her life until the 1960s, and appeared in 2000. Wright died of a heart attack in Canberra on June 26 at the age of 85. Her ashes were scattered around the mountain cemetery of Tamborine Mountain. Wright had owned a strip of rainforest nearby, which she donated to the state so it could be preserved as a national park.

Wright started to publish poems in the late 1930s in literary journals. As a poet she made her debut with The Moving Image (1946), in which she showed her technical excellence without burdens of fashionable trends. Most of the poems were written in wartime - in 'The Trains' Wright took the threat of the war in the Pacific as a subject. The main theme in the volume was the poet's awareness of time, death, and evil on a universal scale. With the following collections Wright gained a reputation as a wholly new voice in literature with a distinctly female perspective. The title poem from Woman to Man (1949) dealt with the sexual act from a woman's point of view. 'The Maker' paralleled the

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